A varied selection of films in all Southern languages followed. Anand went on to become a pathbreaking film and brought me the Andhra Pradesh State Award,the Golden Nandi. Kamalini : National Award-winning director Sekhar Kammula called me for his film Anand when I was working for Revathys Phir Milenge. When I watched the film,I was struck by her stunning performance and called up to congratulate her. I was thrilled when I learnt that she was to play Kuhu in Aparajita Tumi. We earlier did the Malayalam film Kutty Srank together,which won the National Award. His bohemian attitude is like a doze of adrenaline.Īs for Padmapriya,I am happy that we have worked in one more film together. He has a deep understanding and love for cinema. The way he unfolded the character of Ronojoy was amazing to watch. What about your equation with Chandan Roy Sanyal who plays your husband in the film? And your co-actor Padmapriya who is also from the South? The fact that he treats his co-actors at par with no air of his vast experience speaks volumes of his ability to open up as an actor and human being. I had the freedom to work with him the way I had with,maybe Indraneil Sengupta or Kamalini. As a co-actor,the difference in age and experience never came between us.
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Padmapriya : Prosenjit is a thorough professional and gentleman. There is a lot one needs to learn from him.
Few co-actors care so much about the performance of a co-actor like Prosenjit does. Prosenjit guided me very gently through them. I was very nervous but Aniruddha was patient and encouraging. The scenes are intimate but are more lyrical than titillating.
These are passionate emotions that needed to be justified on screen. Kamalini: Usho-shies relationship with Pradip,which Prosenjit has portrayed,is fuelled by lust and anger. What was your interactions with Prosenjit? A film is finally about the people who make it and Aparajita Tumi is an experience that has been a valuable add on to my resume. It is difficult to put together a technical and artistic crew of this order,would not have liked to let go off that for anything. What made you accept the film in the first place? At times it was different from what we had prepared. On the sets,the instincts of the co-actors,the camera movement and angles,a lot developed as we went along. No matter how much we prepared,what worked for Aparajita Tumi was instinct. There was considerable time spent on this as it is a film that looks within rather than looking out. The detailing and character workout was a group effort. I memorise my lines for the scenes to be shot the next day. Padmapriya : Bengali does not sound like Greek to me and I have a knack with languages. How did you prepare for your first Bengali film? I merely unfold the written and unwritten details a director has sketched for the character. Padmapriya : Cinema is a directors medium,it is best left at that.
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